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2024 | OriginalPaper | Buchkapitel

6. Conclusion

verfasst von : Christie Byun

Erschienen in: The Economics of the Popular Music Industry

Verlag: Springer Nature Switzerland

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Abstract

The music business appears to be (almost) the same as it ever was, with a handful of large firms maintaining control over the production and distribution of music. With significant economies of scale, it makes economic sense for these firms to use their market power to produce music efficiently and cheaply. But musical innovators have challenged the dominant paradigm and many have struck out as independent artists with control over their artistic creations. Technology has and will continue to enable them to do so, leveling the playing field for new musicians to find better ways to create and distribute music.

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Fußnoten
1
Langer (2003).
 
2
See Piketty and Saez (2003) for an in-depth empirical analysis of income inequality in the United States over time.
 
3
Peitz and Waelbroeck (2006).
 
4
Philips (2001).
 
5
Ingham (2022), Werde (2022).
 
6
Robert Fripp, Discipline Global Mobile
 
Literatur
Zurück zum Zitat Ingham, T. (2022). It’s Happened: 100,000 Tracks Are Now Being Uploaded to Streaming Services Like Spotify Each Day. Music Business Worldwide. Ingham, T. (2022). It’s Happened: 100,000 Tracks Are Now Being Uploaded to Streaming Services Like Spotify Each Day. Music Business Worldwide.
Zurück zum Zitat Langer, A. (2003). Is Steve Jobs the God of Music?. Esquire. Langer, A. (2003). Is Steve Jobs the God of Music?. Esquire.
Zurück zum Zitat Peitz, M., & Waelbroeck, P. (2006). An Economist’s Guide to Digital Music. In Industrial Organization and the Digital Economy. MIT Press. Peitz, M., & Waelbroeck, P. (2006). An Economist’s Guide to Digital Music. In Industrial Organization and the Digital Economy. MIT Press.
Zurück zum Zitat Philips, C. (2001). Record Label Chorus: High Risk, Low Margins. Los Angeles Times. Philips, C. (2001). Record Label Chorus: High Risk, Low Margins. Los Angeles Times.
Zurück zum Zitat Piketty, T., & Saez E. (2003). Income Inequality in the United States: 1913–1998. The Quarterly Journal of Economics, 118(1), pp. 1–41. Piketty, T., & Saez E. (2003). Income Inequality in the United States: 1913–1998. The Quarterly Journal of Economics, 118(1), pp. 1–41.
Zurück zum Zitat Werde, B. (2022). Debunking the 60,000 Songs Uploaded to Spotify a Day Myth. Hypebot.com. Werde, B. (2022). Debunking the 60,000 Songs Uploaded to Spotify a Day Myth. Hypebot.com.
Metadaten
Titel
Conclusion
verfasst von
Christie Byun
Copyright-Jahr
2024
DOI
https://doi.org/10.1007/978-3-031-49899-2_6